![]() There was even a time when the demo was being considered as the one that was going to go out as a single.” Eventually, though, they re-recorded it to everyone’s approval. But, as Illsley explains, “the problem we had was that we couldn’t get Sultans Of Swing to sound as good as the demo. They were then put into Basing Street Studios to record their debut album, under the auspices of producer Muff Winwood and engineer Rhett Davies. Within two months Dire Straits had been signed by Phonogram. Now that Sultans Of Swing was on constant rotation, record companies started to take note of this rumbling blues- rock tune about a rotten jazz band. In those days one person at a radio station could really make a difference.” “On air he said: ‘I’m going to play this until somebody picks this band up,’ which I thought was quite a bold thing to do. “Charlie went absolutely crazy about it,” Illsley remembers. They then took the resulting five- song demo, which included Sultans Of Swing, to Radio London DJ Charlie Gillett. Still desperately seeking a record deal, in July ’77 Dire Straits booked time at a tiny eight-track studio. So is Guitar George, who knows all the chords: ‘ But it’s strictly rhythm/He doesn’t want to make it cry or sing/If any old guitar is all he can afford/When he gets up under the lights to play his thing.’ Meanwhile, a small group of youths are fooling around in the corner, ‘ drunk and dressed in their best brown baggies and their platform soles/They don’t give a damn about any trumpet-playing band/It ain’t what they call rock and roll.’ It’s as damp an evocation of thankless 70s publand as you’re likely to hear. Harry’s got a day job, but he’s up there giving it his all. ![]() As the rain beats down outside, the band are blowin’ Dixieland. Sultans Of Swing sees Knopfler folding the night’s events into the narrative. And let’s face it, all good songs have a story.” It’s that rolling rhythm on the guitar and a very simple bass and drums approach. The whole thing is incredibly simple, it’s the playing that makes it intriguing. Illsley recalls: “One day he said to me: ‘Remember that song I was fiddling about with the other day? I’ve completely redone the chord structure.’ He played it, and it sounded pretty good. But the song took on a smouldering blues groove after he scrabbled enough money together to buy a 1961 Stratocaster. Written by Nick Levine, Adam Feldman, Hank Shteamer, Sophie Harris, Zach Long, Gabrielle Bruney, Tolly Wright, Bryan Kerwin and Matthew Singer.Even Knopfler thought it lacked spark. Choose one of these 50 all-timers next time you’re heading out for a night of soused singalongs and you’re sure to receive the standing ovation you deserve. In most situations, though, you’ll want to stick to the standards: party jams, melodramatic love songs, theatrical arena rock belters, rap songs that everyone knows (and don’t contain any problematic language that’ll make the whole bar cringe depending on who’s performing). It’s also not a place for snobbery – there are plenty of specialty nights out there if you want to tackle your favourite Pavement b-side or attempt to approximate Kate Bush’s warble. No one wants to hear you growling a 20-minute stoner metal dirge or stumbling over your own tongue as you try to keep up with some Eminem speed-rap marathon. But choosing the right karaoke song is crucial. It doesn’t matter if you have Mariah Carey’s octave range or if you sing like Oscar the Grouch on a weekend bender: on that stage, wherever it may be, every voice is equal.
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